Use of Contrasts in Act I of The Tempest

February 9, 1997 OAC Writing Assignment #1 - Use of Contrasts in en professment I of The Tempest         William Shakespeare used some(prenominal) different writing devices when he wrote his plays. In set I of The Tempest, the use of contrasts betwixt characters, setting, and ideas were a lot used to fortify the story, and to a greater extent importantly, the messages that Shakespeare wished to portray by the play.          bingle good ensample was how some characters in the frontmost act had their counterparts. Ariel had Caliban, and Gonzalo had Ferdinand. The relationship between Ariel and Caliban could clearly be collide withn end-to-end roleplay I, scene II. Ariel was the airy spirit that could acquire different shapes, such as the lightning flames seen on the ship (Shakespeare 31), and who had quickness, lightness, grace, and add together control over his actions. On the early(a) hand, Caliban who represented the body, couldnt control his actions and indeed made him the opposite of Ariel. He even tried to bungle Miranda once, but was stopped by Prospero in the process. In fact, it cleverness even be gum tree elastic to say that Caliban was anti-Ariel, existence slow, stupid, and lazy.         Gonzalo and Ferdinand were also contrasted in this act.

In function I, scene I lines 28-33, Gonzalo made fun of the bosun by saying that he didnt look like the figure to drown, rather he resembled more of the type to be hanged. and so implying that no champion on the ship would drown. This gesture by Gonzalo showed that he was an optimistic person. On the other hand, after landing place on the island in Act I, scene ii, Ferdinand grew worry of his draw and forthwith presumed he was dead. He even went as cold as saying that he was now the new powerfulness of Naples (Shakespeare 45). Therefore, one can see that... If you want to get a spacious essay, order it on our website: Ordercustompaper.com

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